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Lansdale — “Not from Detroit”\u003c\/li\u003e\t\u003cli\u003eKristi DeMeester — “A Life That is Not Mine”\u003c\/li\u003e\t\u003cli\u003eRobert Ford — “Mr. Hugsy”\u003c\/li\u003e\t\u003cli\u003eLisa Kröger — “Swamp Dog”\u003c\/li\u003e\t\u003cli\u003eOrrin Grey — “No Exit”\u003c\/li\u003e\t\u003cli\u003eMichael Bailey — “The Long White Line”\u003c\/li\u003e\t\u003cli\u003eKelli Owen — “Jim’s Meats”\u003c\/li\u003e\t\u003cli\u003eBracken MacLeod — “Back Seat”\u003c\/li\u003e\t\u003cli\u003eJess Landry — “The Heart Stops at the End of Laurel Lane”\u003c\/li\u003e\t\u003cli\u003eJonathan Janz — “Titan, Tyger”\u003c\/li\u003e\t\u003cli\u003eNick Kolakowski — “Your Pound of Flesh”\u003c\/li\u003e\t\u003cli\u003eRichard Thomas — “Requital”\u003c\/li\u003e\t\u003cli\u003eDamien Angelica Walters — “That Pilgrims’ Hands Do Touch”\u003c\/li\u003e\t\u003cli\u003eCullen Bunn — “Outrunning the End”\u003c\/li\u003e\t\u003cli\u003eChristopher Buehlman — “Motel Nine”\u003c\/li\u003e\t\u003cli\u003eRachel Autumn Deering — “Dew Upon the Wing”\u003c\/li\u003e\t\u003cli\u003eJosh Malerman — “Room 4 at the Haymaker”\u003c\/li\u003e\t\u003cli\u003eRio Youers — “The Widow”\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.\u003c\/p\u003e\u003cp\u003e\u003cu\u003eInterview with the editor:\u003c\/u\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003eSo what makes Lost Highways: Dark Fictions From the Road so special?\u003c\/u\u003e\u003cbr\u003eLost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. 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